Wednesday, June 10, 2009
Artist In Residence At Barrett
In a random email from our studio tech there was a link to a summer residency in Poughkeepsie that looked awesome. I applied for it through Barrett Clay Works. I ended up getting the residency along with one other person. The residency includes free studio space and firings, which is amazing. The space extremely large and everyone who I have met so far has been amazing.
I do have to do some studio maintenance during the week and am now in charge with the other resident of Family Clay Day. This is an awesome program that invites everyone and anyone to participate in making clay art work in the facilities. It costs 2.00 per person then 2.00 per piece of work you make and want to be fired. It is run the last Saturday of every month.
I am stoked, found my inspiration at a yard sale, a bunch of old teeth molds. What to do with them?
Friday, April 17, 2009
Thursday, February 12, 2009
CITY TRIP
Went down to the city yesterday and saw an amazing exhibition at the ICP (International Center of Photography) on Edward Steichen: In High Fashion:The Condé Nast Years 1923-1937. This was 175 of his photographs of high fashion from that time period. "His crisp, detailed, high-key style that revolutionized fashion photography." They had the first color Vogue cover on display also which was really nice to see compared to magazine covers of today.
The exhibition upstairs "presented the most innovative fashion photography of the last few years, from photographers who draw on a range of influences, including art, sexuality, narrative, digital media, and youth culture."
Miles Aldridge,
Spot the Fake #1 (Published: New York Times, T Magazine),
2006 © Miles Aldridge, Courtesy the artist
The exhibition upstairs "presented the most innovative fashion photography of the last few years, from photographers who draw on a range of influences, including art, sexuality, narrative, digital media, and youth culture."
Edward Steichen
Model Marion Morehouse and unidentified model wearing dresses by Vionnet, 1930
Courtesy Condé Nast Archive, New York
Courtesy Condé Nast Archive, New York
Miles Aldridge,
Spot the Fake #1 (Published: New York Times, T Magazine),
2006 © Miles Aldridge, Courtesy the artist
Michael Thompson
Ruffled Neck, New York City, 2007
© Michael Thompson
Courtesy of the artist
Ruffled Neck, New York City, 2007
© Michael Thompson
Courtesy of the artist
You can check out the ICP's website for other upcoming exhibits.
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